The Killers’ frontman’s third solo record is thoughtful and deliberate, but kicks like a mule where it counts.

★★★½☆

The London-based six-piece deliver a debut worthy of the hype.

★★★★½

Filled with jangling 12-strings, lush harmonies and flashes of psychedelia, the brothers continue to channel the spirit of ‘60s and ‘70s nostalgia while sharpening their own distinct voice.

★★★★★

‘love songs and spiritual recollections’ takes on a whimsical angle in Brighton’s eight-piece indie outfit’s latest release.

★★★★☆

It’s a top contender for album of the year.

★★★★★

The Arizona alt-rockers are making joy sound familiar, intimate and electric, all at once.

★★★★★

The album sees the Bristol four-piece fusing alt-Americana with proto-punk rock.

After four years away, the South Bay trio return with a refined evolution of their signature sound.

★★★★½

The band’s second album is a satisfying representation of healing through screaming. 

★★★★★

‘From The Pyre’ sees The Last Dinner Party try and establish their name in contemporary rock. 

The band’s second album is full of loud emotion and musical experimentation, all revolving around religious themes. 

The solo project from ex-Tribal Dance’s Adam Smyth follows up last year’s ‘HAMMUU’.

The British four-piece unveil 11 new tracks on their fifth record, bringing stoner rock to the indie scene once more.

These twelve songs are Rocky Horror, Autumn-time sadness (in the best way).

The band return with their third album.

The Black Country duo announce their entrance onto the scene with punky powerhouses and hip hop homages. 

The four-piece’s first album, Wytch, promises romantic poetry and Nicks-y mystique set to ‘70s rock anthems.

The band trades their past angst and distortion for a more intimate 70s-inspired sound on their most composed record yet.

The band return with a new record after 5 years.

The band return with a new album.

★★★✩✩